Our ambition was to reveal the intricacies, relationships and dynamics between those elements. The resulting spatial data was composed of quantifiable elements, as well as relationships between built and experienced environments.
We also gathered opinion of passbyers in over 150 interviews: how they perceived the space, how did they use it, and what did they like about it. We mapped different layers of the public space such as sound, landmarks and spatial elements of the space. “It takes look at averyday urban life in Moscow’s Muzeon Park and Central House of Artists. Public Space Inventory was conducted as performance in 8 acts within the Metasitu project by Eduardo Cassina and Liva Dudareva, with Vlado Danailov, Iana Kozak, Olga Poletkina, Alina Bibisheva, Luba Russkikh at the Strelka Institute for Media, Architecture and Design.
GIF BREWERY CUT OUT PORTION OF GIF SERIES
The series of phrases in public space continue with “minority-majority”, “new” and others in combination with buildings in larger European cities.
Contrary to this, he used metal plates cut into letters Crisis, appearing to be at the top of the building of Tax Administration in the city he lives in, a building that is also one of the most remarkable examples of modernist architecture. For this purpose, Stošić combined neon installation Kultura zveri ( Culture of Beasts) and the top of one building that a viewer cannot easily relate to a particular institution, but can start thinking where it could be. Possible monuments have not been realised as spatial interventions, however, the phrases represent reality of everyday life and are present through photographs as documentation of that reality. In 2014 he begun a series Possible Monuments, as opposed to real and existing monuments, where using photo-montage he was dealing with exterior spaces and phrases people meet everyday in media but do not understand them or refuse to acknowledge them. Work Лаж ( Lie, 2012) is a neon sign that was installed as the only exhibited object in an interior, gallery space. Slobodan Stošić is a new media artist who created series of artworks by writing in Cyrillic letters, at many times using led lights.
“Research that preceded the action initiated questions regarding the importance of Bank
It was projected on the façade of the Bank of Rijeka, located at Jadran Square, which was at the time privatised, as same as the shipyard. The work contains visual and textual messages (realised in cooperation with activists, journalists, workers and artist), warning about the importance of the shipyard industry which has decisive implications for the city by enabling local production and consumption, strengthening public funds and society in while, although it does not bring quick and high profit rates. Therefore, the ship is equal to the city. And Rafaela Dražić realised and projected a research/visual work SHIP=CITY (BROD=GRAD) within the MMSU’s programme Copula (Spajalica) in Rijeka, Croatia. The action took place on 3rd May, which is the memorial day of the liberation of Rijeka from fascist occupation, after which the shipyard in Rijeka was named “3rd May.” The action highlighted the importance the shipyard industry has for the entire city, employing, directly or indirectly over 30,000 employees who support existence of unemploy-ed and pensioned citizens.
0 kommentar(er)
